However, this image is not intended to be an end result.įor final processing, significant cropping along with distortion correction is expected. That art concept will get old fast, and as is, the double circular image photo has little value. The perspective is unique (fun to shoot with), and stretching the definition, the double circular image could perhaps be considered art. This angle is so wide that the front of each lens is in the other lens's optical path. The view through the lens is as crazy as that sounds. The focal length range (or individual focal lengths for prime lenses) is a primary consideration for a lens purchase or selection for use, and few lenses have focal lengths that limit their uses as much as this one does.Īs you likely already realized, this lens - or more accurately, these two lenses - see a 190° angle of view that includes subjects behind itself. Overall, as expected for a member of Canon's prestigious L-series, this well-constructed lens performs at a high level, both physically and optically. There are many aspects of this lens you need to understand, but the first is that, at review time, the Canon EOS R5 (firmware 1.5.0 or higher) is the only camera supported by this lens.Īs this camera is an outstanding performer, this limitation is insignificant - unless the purchase price of the camera is a roadblock. This is an extremely powerful creative tool, and we know it will empower new stories and content to be shared with an EOS R5, so we're excited to see what the market will create with it." ĭive into this exciting and growing genre of photography, producing content that differentiates itself. Overall, the 3D Marketplace has seen incredible growth, and due to a substantial amount of content being CGI-based, there is high demand for high-quality "Live Action" content captured by a camera – meaning opportunity for someone looking to reach new viewers or share a story in a new way. Since the functionality of the 2D VR viewing platforms is very similar to the traditional video experience, with the addition of a "scroll-able" interface – a current video shooter should find the experience of shooting VR content new and interesting in many ways,īut also somewhat similar as some of their previous video experience in other ways. This 180° VR viewing format can be experienced in two ways – 3D with use of a compatible VR headset, or in 2D through use of desktop, or mobile VR viewing platform.
"The RF5.2mm F2.8 L Dual Fisheye lens is primarily designed for delivering Stereoscopic 3D 180° VR video content.
#Fisheye lens full
"The complexities of virtual reality production and the ability to view the content in full capacity are greatly streamlined for seasoned professionals and newcomers to the craft." The Canon RF 5.2mm F2.8 L Dual Fisheye Lens is the world's first digital interchangeable dual fisheye lens capable of shooting stereoscopic 3D 180° VR imagery to a single image sensor. With a specified 190° angle of view - from both lenses, this lens can see behind itself. The Canon RF 5.2mm F2.8 L Dual Fisheye Lens is different, much different, from every other lens in your kit. With a compatible camera behind it, the Canon RF 5.2mm F2.8 L Dual Fisheye Lens enables that dream. What if you could create Stereoscopic 3D 180° VR video content that immerses the viewer into a scene with the high-end camera system you already understand?
#Fisheye lens pro
Another Chance for a Rental Deal - Save $50.00 on $200.00 at Lensrentals!.Just Posted: Canon RF-S 18-150mm F3.5-6.3 IS STM Lens Review.
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